I recently came across a social media status update by one of the more accomplished fashion and beauty models within the photography community, somebody I’ve worked with and have another shoot planned for next month. The nature of the model’s update was about conversations she’s had with photographers, the type of photographer I would class myself as: hobbyists, keen amateurs, professional hopefuls, or possibly even the complete beginners. These gist of this conversation, and I’ve found that this particular model is by no means alone in this, was the photographer not wanting to make a booking because, in their own words “oh you’re too good for me”.
The feeling being that booking one of the top models would be a waste of everybody’s time because the skills of the photographer don’t match the model’s ability.
This is of course complete nonsense. Utter balderdash.
Of course I understand the sentiment; I’ve been through similar feelings myself, but they are easy to get over when you work with these models. So if there are any photographers reading who think that they can’t book a particular model because she’s too good, or you’re not good enough, and are perhaps thinking some of the things I’ve thought in the past, let me try to help you.
Don’t worry that you can’t produce images as good as those in the model’s portfolio. You’re not meant to. It doesn’t matter, and nobody is expecting you to any way. Shoot for yourself. If you want to improve then an experienced model can help. They have experience and if that’s what you’re lacking then you should definitely book them.
Take Artemis Fauna for instance.
Artemis is, aside from being a very experienced and incredibly beautiful model, is also an accomplished photographer. Whilst we were discussing shoot ideas we also spoke about lens choice and suggested aperture value combinations. This was incredibly helpful.
Sinopa Rin is another example of the “modelographer”.
I was lucky enough to have Sinopa along on my first shoot. She was supposed to be there as a model, but ended up being a teacher, educator, motivator, and possibly therapist too. I gain more and more knowledge from each photoshoot with Sinopa. If there is ever a moment of doubt or uncertainty she will always add a creative suggestion when asked.
Continuing the trend of models who know life on both sides of the lens is Arabella.
I only found out how good Arabella was with a camera after our photoshoot had finished and she showed me some of her published works. Arabella was one of the experienced models who took a chance on me in the early days just when I got started and didn’t have a stack of positive references to my name. Her experience and creative eye were invaluable in helping my get started and most importantly to get better.
Stephanie Dubois is another I’ve been lucky enough to shoot with.
I will admit that immediately before making the booking to work with Stephanie I felt a lot of the feelings that some of the photographers mentioned at the start of this post had been going through. Why would Stephanie work with me? The answer is because she’s a professional model and I’m a photographer. That’s how these images are created. Stephanie didn’t care that the images would end up on my blog and not the from cover of Vogue. She understands that there are amateurs out there looking to create photographs and was happy to help me. I’m very much looking forward to working with her again.
There is a longer list of top models that I’ve worked with, but this was starting to look like me showing off rather trying to help a photographer make a booking with one of the top models. Believe me when I tell you that your starting skill levels is irrelevant, and will improve if you work with these model. Don’t be scared, don’t worry you are not good enough, just commit to the booking. You will not regret it.